I am not unfamiliar with painting in public:
- Virginia Living Museum,
- art shows,
- plein aire workshops.
But painting the musicians at the Jazz Festival in Duck, NC was a first for me.
Even though I was in a more isolated spot near the stage, I later discovered people were watching my art progress from the audience. Many stopped to chat as they walked to other areas of the green.
During my time at the Jazz Festival, I had the good fortune of meeting both locals and visitors and even the Chief of Police who shared my Bridgeport, CT heritage.
My biggest hurdle at this outdoor event in early October was how fast the acrylic paints dried even in the high humidity. I found I can be more successful in getting the painting how I would like it when I start by drawing with either India ink or acrylic using a smaller brush.
Next, I slopped on paint even when the sketch was still wet. Not overthinking color and doing what I call “brain stem painting” (i.e. painting by instinct which usually gives me a greater feeling that the end result will work). For me, “brain stem painting” means an emotionally positive feeling rather than an intellectual one.
If I really wanted to be a performance artist I would strap long handled brushes to my hands and have quarts of paint in buckets set in front of a huge canvas. That would be cool and probably messy!